N\u00eb Zagreb, m\u00eb 2 tetor 2022, n\u00eb sall\u00ebn e Teatrit t\u00eb Kukullave u shfaq premiera e monodram\u00ebs TORBA, t\u00eb autorit e regjizorit Naser Shatrolli, ku interpretoi aktori Leonard Hamitaj.<\/p>\n\n\n\n
Premier\u00ebn e ndoq\u00ebn ambasadori i Shqip\u00ebris\u00eb z. Riza Poda, ambasadori i Maqedonis\u00eb s\u00eb Veriut z. Milaim Fetai, nga ambasada e Kosov\u00ebs z. Xhevdet Sopaj. Gjithashtu premiera u ndoq edhe nga shum\u00eb intelektual\u00eb dhe artist\u00eb nga komuniteti shqiptar, malezez, slloven boshnjak e kroat\u00eb.<\/p>\n\n\n\n
Shfaqja Torba \u00ebsht\u00eb produksion i Teatrit \u201eM\u00ebrgimtari\u201c t\u00eb Kroacis\u00eb dhe Teatrit AAB \u201eFaruk Begolli\u201c&Artimage t\u00eb Kosov\u00ebs. Ass regjizor Ardit Rushiti, kompozitor Drinor Zymberi, kostumografe Flutura Dedinja, skenografia nga Agron Blakqori&Naser Shatrolli, p\u00ebrgjegj\u00ebs i ndri\u00e7imit Amir Petrovci&Albert Gashi, dizajn i plakatit Valdet Hajdari.<\/p>\n\n\n\n
Premiera u shfaq n\u00eb kuad\u00ebr t\u00eb sh\u00ebnimit t\u00eb Dit\u00ebs s\u00eb Teatrit Shqiptar n\u00eb Diaspor\u00eb dhe n\u00eb dit\u00ebt e Festivalit Teatror t\u00eb Pakicave Komb\u00ebtare t\u00eb Kroacis\u00eb. N\u00eb t\u00eb cilin morr\u00ebn pjes\u00eb edhe Teatri Draft nga Tuzla, Bosnja e Hercegovina dhe aktori i mir\u00ebnjohur malazez Slobodan Marunovi\u0107 n\u00ebn organizimin e Shoqat\u00ebs Teatrore Shqiptare n\u00eb Kroaci \u201eM\u00ebrgimtari\u201c.<\/p>\n\n\n\n
Shfaqja e monodram\u00ebs TORBA u realizua me mb\u00ebshtetjen e K\u00ebshillit p\u00ebr Pakicat Komb\u00ebtare t\u00eb Republik\u00ebs s\u00eb Kroacis\u00eb.<\/p>\n\n\n\n
Agron Gerguri, dramaturg e kritik i teatrit i cili ndoqi parapremieren n\u00eb Prishtin\u00eb n\u00eb sall\u00ebn e Teatrit AAB \u201eFaruk Begolli\u201c n\u00eb analiz\u00ebn e tij p\u00ebr shfaqjen shkruan \u201e<\/p>\n\n\n\n
N\u00eb k\u00ebrkim t\u00eb vetvetes, t\u00eb identitetit t\u00eb humbur diku n\u00eb transicionin e mund\u00ebsive majt – djatht\u00eb, perendim – lindje autori shpreh dilemen e cila u b\u00eb preokupim shqet\u00ebsues i publikut n\u00eb sall\u00ebn kamertale t\u00eb Teatrit ne AAB ku si parapremier\u00eb u shfaq monodrama \u201cTorba\u201d autor dhe regjisor: Naser Shatrolli, n\u00eb interpretim t\u00eb Leonard Hamitaj.<\/p>\n\n\n\n
N\u00eb nj\u00eb situat\u00eb t\u00eb “budallme” n\u00eb t\u00eb cil\u00ebn e vendos Shatrolli personazhin duke injektuar dilemen se cila koh\u00eb politike \u00ebsht\u00eb e v\u00ebrtet\u00eb me pik\u00ebpyetjen se mos dikur ishte m\u00eb mir\u00eb se sot duke nxjerr n\u00eb pah shenj\u00ebn e nj\u00eb degradimi t\u0113 gjith\u00e7kajes sot deri n\u00eb vet\u00ebmohim dhe kjo amulli vjen\u00eb si pasoj\u00eb e munges\u00ebs s\u00eb sistemit t\u00eb vlerave. Nuk ka ideologji kauz\u00eb apo sistem q\u00eb na bie tamam ngase askush nuk po i rri besnik as kauz\u00ebs as ideologjis\u00eb s\u00eb proklamuar, t\u00eb gjitha ambalazhohen me politik\u00eb e cila b\u00ebhet tem\u00eb p\u00ebr debate televizive n\u00eb m\u00ebshiren e analist\u00ebve. Liria e l\u00ebnduar nga abuzimet politike duke l\u00ebn\u00eb varret e mbetura hapur q\u00eb th\u00ebrrasin p\u00ebr nj\u00eb nd\u00ebrgjegj\u00ebsim t\u00eb heshtjes intelektuale p\u00ebr t\u00eb nd\u00ebrruar kursin e rrjedhave t\u00eb jet\u00ebs shoq\u00ebrore t\u00eb ambalazhuara me puropolitik\u00eb e cila nd\u00ebrtohet bazuar n\u00eb delirin simpatizant. Personazhi i Shatrollit n\u00eb \u00e7aste d\u00ebshprimi th\u00ebrret d\u00ebshmor\u00ebt p\u00ebr t\u00eb gjykuar koh\u00ebn e cila ka tretur amanetin e tyre si nj\u00eb z\u00eb k\u00eblthit\u00ebs nga zemra e plasur th\u00ebrret z\u00ebrat e mbyllur n\u00eb burgun e heshtjes. Kjo \u00ebsht\u00eb tema e shfaqjes \u201cTorba\u201d individi n\u00eb k\u00ebrkim t\u00eb vetvetes duke kaluar n\u00ebp\u00ebr labirinthet e sistemeve politike ku dominon mend\u00ebsia komuniste prej s\u2019ciles asesi te sh\u00ebrohet personazhi i cili krijon pilot projektin e tij si nj\u00eb variant\u00eb me intonime ironike n\u00eb raport me aktualitetin.<\/p>\n\n\n\n
Si gjuh\u00eb teatrore e mb\u00ebshtetur n\u00eb nj\u00eb tekst dometh\u00ebn\u00ebs t\u00eb ngjeshur dramaturgjikisht regjisori ka l\u00ebvizur shenjat p\u00ebrmes rekuizitave t\u00eb cilave u jep kuptime t\u00eb ndryshme nga skena n\u00eb sken\u00eb. Qizmet si dhun\u00eb fizike dhe shpirtnore jan\u00eb idioma skenike t\u00eb mir\u00ebp\u00ebrdorura p\u00ebr t\u2019na e zb\u00ebrthyer tekstin me nj\u00eb mizansken\u00eb t\u00eb past\u00ebr, estetikish t\u00eb form\u00ebsuar. Gur\u00ebt q\u00eb asocojn\u00eb p\u00ebrpjekjen e Sizifit, lulja e pashijuar e dashuris\u00eb ngase dashuria nuk \u00ebsht\u00eb m\u00eb ndjenj\u00eb q\u00eb p\u00ebrmbush\u00eb porse \u00ebsht\u00eb b\u00ebr\u00eb mjet p\u00ebrdorimi e reduktuar n\u00eb nevoj\u00eb fiziologjike. Baulja(n\u00eb titull Torba) e cila nuk u hap sepse ashtu mbante tensionin e shfaqjes me k\u00ebrcnimin se po u hap shnd\u00ebrrohet n\u00eb kuti t\u00eb Pandores dhe \u00e7ka del prej aty kush e di ku shkon. E ne ecim l\u00ebvizim flasim debatojm\u00eb e shashtisemi po askund nuk shkojm\u00eb referencon shfaqja. Sillemi n\u00eb nj\u00eb rreth vicioz. N\u00eb pamund\u00ebsi t\u00eb ndryshoj(m\u00eb) di\u00e7ka personazhi n\u00eb fund nxjerr lotin nga nukleusi i shpirtit si nj\u00eb thirrje p\u00ebr nd\u00ebrprerjen e gereves s\u00eb heshtjes intelektuale. Aktori Leonard Hamitaj ishte inkorporuar bindsh\u00ebm n\u00eb thell\u00ebsin e temes te cilen e trajtonte shfaqja. Me nj\u00eb diciplin\u00eb skenike t\u00eb admirueshme ngadal e sukesivisht e mblidhi pezmin dhe dhembjen p\u00ebr ta derdhur si mesazh tek spektator\u00ebt me mas\u00ebn e duhur emocionale pa patetik\u00eb e shtirje. L\u00ebvizje harmonike, menaxhim mjeshtror i situatave skenike t\u00eb dizejnuar nga regjisori Shatrolli. Secilin mendim e argumenton bukur me gjendjen t\u00eb cil\u00ebn e krijon mjeshtrisht gjat\u00eb ecjes, veprimit fizik t\u00eb kondenzuar por shum\u00eb dometh\u00ebn\u00ebs, shp\u00ebrthimeve emocionale dhe komunikimit aktiv me rekuizitat duke e \u201cp\u00ebrkthyer\u201d monologun n\u00eb dialog. \u201e<\/p>","protected":false},"excerpt":{"rendered":"
N\u00eb Zagreb, m\u00eb 2 tetor 2022, n\u00eb sall\u00ebn e Teatrit…<\/p>","protected":false},"author":1,"featured_media":1525,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti"],"_links":{"self":[{"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/posts\/2381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/comments?post=2381"}],"version-history":[{"count":3,"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/posts\/2381\/revisions"}],"predecessor-version":[{"id":2801,"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/posts\/2381\/revisions\/2801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/media\/1525"}],"wp:attachment":[{"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/media?parent=2381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/categories?post=2381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kazaliste-mergimtari.hr\/al\/wp-json\/wp\/v2\/tags?post=2381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}